Adult


30th Annual Leonardo Challenge

 

Thursday, May 14, 2026, 5:30-9 pm 915 Whitney Avenue 

Food & Drink | Art Auction | Live Music Tickets are available online and at the door.

Buy Tickets 

A fundraiser supporting community partnerships, scholarships, and the apprentice program.



The Benefit

Join us on May 14 for a vibrant art auction, live music, and a delicious spread from local vendors. This fundraising event supports the museum's efforts to teach Leonardo's idea of improvisational creativity to K–12 learners, dedicated apprentices, and the Greater New Haven community.

If you are interested in supporting this event through a sponsorship, contact 203.777.1833 or email manager@eliwhitney.org.

 


Artist's Challenge

The Artist's Challenge is to create a piece that embodies the idea of water. Leonardo da Vinci closely studied water. His observations are prevalent in the paintings familiar to many. Look closely at Leonardo's depictions of coursing through the countryside. Imagine the possibilities of water's power. Consider the generative and destructive forces.

It is your challenge to depict, ponder, or produce a reflection on water for the art auction.


Interested in participating as an artist? Click the button below:

 

Call for Entries 

 


Water

Water fascinated Leonardo da Vinci throughout his life. He observed water in rivers and rain, in the tides of the sea, and in the shifting currents that shape the land. To Leonardo, water was never still. It moved, transformed, and revealed the hidden forces of nature.

“Water is precisely that which is dedicated to the vital humor of this arid earth.”      
Leonardo da Vinci, Codex Arundel, 236v

Water is life. Water is turbulent. Water holds immense power.

Between 1506 and 1512, Leonardo devoted extensive study to water in the pages of the Codex Leicester. Across its seventy-two pages, he recorded observations, sketches, and questions about the behavior of water in motion. He examined how rivers carve valleys, how waves travel across oceans, and how water cycles endlessly through the natural world.

From mountains to rivers, from rivers to the sea, and from sea to sky, water moves through a perpetual cycle. Clouds gather, rain falls, streams flow, and oceans rise and fall with the pull of distant forces.

But water is more than motion. It is also reflection.

What do you see when you look into water? Your reflection? The sky above? Beneath the surface, entire worlds exist—plants, animals, and unseen currents shaping life below.

Codex Atlanticus - 000V-26

Water guides human journeys as well. It carries ships across oceans, powers mills and machines, and sustains communities along its shores.

Codex_Atlanticus_-_000R-945

For Leonardo, studying water was a way of understanding the living earth itself—its motion, its power, and its endless transformation.

 


Food, Drink, and Music

Big Green Truck PizzaBlack Hog Brewing   East Rock Breads    Queen of Tarts CateringThe Wine Thief


Event Sponsors

This event is made possible by sponsors from our local community. Sponsor and underwriter support is invaluable to helping the Eli Whitney Museum & Workshop offer scholarships to students in our programs year-round.

 

If you are interested in supporting this event through a sponsorship, contact 203.777.1833 or email manager@eliwhitney.org.

Birthday Party Description

Birthday Party Description

Join Artist in Residence Kat Wiese in a beginner-friendly 5-week relief printmaking workshop on fabric. Learn to make both a single-layer and a double-layer print. Learning to block print your clothes can give them a second life and add your own unique character. Participants will be provided materials to make a set of two tea towels and various patches, and are encouraged to bring items from their wardrobe or stop by a thrift store to upcycle existing garments. 4 x 4 inches and 4 x 6 inches speed cut rubber blocks will be provided

Material Matters - From Realism to Reconfiguration

This workshop introduces participants to sculptural practice through both traditional and experimental approaches. We begin with clay and wire, focusing on realism and the human form, then move into assemblage and reconfigured materials. By the end, participants will have completed 2–3 projects that balance grounded technique with imaginative exploration, all framed by the question: What stories and memories do materials carry when given a second life?

Join EWMW artist in residence Kat Wiese in pulp mixing, papermaking, and bookbinding in a 5-week lab. Participants will learn how to make paper from both recycled and raw materials. Participants will be able to bring materials of their own and use both natural and synthetic materials on site, such as pressed flowers, kraft paper, and recycled prints. Book binding methods will include accordion, French Binding, and Celtic binding. Students will be instructed on how to create two 6 x 8-inch books using Celtic and French binding methods, utilizing the papers they made during the first two weeks. More advanced students or those with existing creative projects, are welcome to join the course and work at their own pace on paper-related projects.

All materials are provided. Students are encouraged to bring papers they may like to include in their books or use as recycled papers for pulp making.
 

 
Material Matters - From Realism to Reconfiguration

This workshop introduces participants to sculptural practice through both traditional and experimental approaches. We begin with clay and wire, focusing on realism and the human form, then move into assemblage and reconfigured materials. By the end, participants will have completed 2–3 projects that balance grounded technique with imaginative exploration, all framed by the question: What stories and memories do materials carry when given a second life?
 

Join EWMW artist in residence Kat Wiese in pulp mixing, papermaking, and bookbinding in a 5-week lab. Participants will learn how to make paper from both recycled and raw materials. Participants will be able to bring materials of their own and use both natural and synthetic materials on site, such as pressed flowers, kraft paper, and recycled prints. Book binding methods will include accordion, French Binding, and Celtic binding. Students will be instructed on how to create two 6 x 8-inch books using Celtic and French binding methods, utilizing the papers they made during the first two weeks. More advanced students or those with existing creative projects, are welcome to join the course and work at their own pace on paper-related projects.

All materials are provided. Students are encouraged to bring papers they may like to include in their books or use as recycled papers for pulp making.
 

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