Contents:
• Inventing
Change
• Change & Serendipity
• Change by Intention
• Change & Community
• The Right Person
• The Whitney Legacy
• The Factory in 1825
Inventing
Change: the Whitney Legacy
On
September 17th 1798, Eli Whitney purchased the land around the museum.
He sought its water rights. East Rock and Mill Rock form the first
practical site north of New Haven to harness waterpower. There had
been grain mills here for the first 150 years since New Haven’s
founding. Whitney came here to build a factory.
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Though
just 33 years old Whitney had won fame –though no fortune– as
the inventor of the cotton gin. The gin had had ignited a revolution
in cotton production that swept past its inexperienced benefactor. |
Whitney
would begin again. On June 14th,1798, Whitney signed a bold contract
with a government headed by still familiar names: Adams was President,
Hamilton, Secretary of the Treasury, Thomas Jefferson, Secretary
of State. Whitney promised to produce 10,000 muskets in just two
years. It was the largest contract with a private armory that our
young nation had ever written.
It
was a bold contract because no Armory on this continent had ever
produced even 1500 muskets in a year. It was a bold contract because
Whitney had no factory and no gunsmiths. It was a bold contract
because Whitney had never before produced a musket.
Out
of necessity, Whitney had a bold plan. New ways of producing things
had taken root in Europe. Whitney would install new ways of producing
things on this site. These mark the beginnings of the American Industrial
Revolution. Whitney’s daring, his willingness to test new ideas,
his confidence in his ingenuity and his drive to succeed in the
face of setbacks would become the hallmarks of the Inventive Yankee.
Whitney invented himself. He established our vision that we can
invent change.
This
exhibition explores Whitney’s life and the dynamics of change.
Change & Serendipity
Eli Whitney graduated from Yale in September of 1792. He was penniless
and uncertain of his prospects. He contemplated studying law, but
accepted a position as a tutor to the children of a Major Dupont
in South Carolina to reduce his debts. As he journeyed south, he
fell ill and he heard that his employer would meet only half of
the promised wage. He was not feeling lucky.
His traveling companions Catherine Green, widow of the late Revolutionary
War hero General Nathaniel Green and Phineas Miller, a Yale acquaintance
and Mrs. Green’s estate manager, invited the 23 year old Whitney
to stay at Mulberry Grove, her plantation in Georgia.
Whitney made himself useful on the plantation improvising clever
devices. He had been a precocious builder as a youth managing his
own nail forge when he was 14. At Yale, a local craftsman whose
tools Whitney sometime borrowed had lamented that it was sad to
loose such a fine mechanic to the dull world of scholars. So it
is no accident that he listened attentively to a need voiced by
planters who visited Mulberry Grove.
Cotton agriculture was snarled in its infancy. Demand for the fiber
was growing both in the North and overseas.. Sea Island Cotton’s
long fibers were easily separated from its black seeds. But this
strain was delicate and would grow only along the coast. Green seed
cotton would grow in the vast undeveloped inland regions, but its
short fibers clung to the seed. Picking seeds from a pound of cotton
by hand was a day’s work for a quick fingered woman. A new cotton
engine was essential to the growth of cotton agriculture.
Mrs Green encouraged Whitney to consider the problem. His mind involuntarily
preoccupied with the challenge, he hit upon a solution of elegant
simplicity. In just 9 days he would construct a model that mechanically
combed out seeds in a fashion that has changed little in 200 years.
This was not invention of grueling labor. It was a flash of brilliance
and serendipity: Whitney was the right person in the right place
at the right time. Whitney changed the world almost by accident.

Line drawings by Margaret Swan,
from the book Eli Whitney and The Whitney Armory
Change
by Intention
Whitney took Phineaus Miller as a partner to develop his cotton
engine. Thomas Jefferson awarded Whitney his patent in 1794 and
so admired the device that he inquired when he might purchase one.
But there were snags. Whitney and Miller had promised to produce
too many gins, too soon, and at too stiff a price. The planters
had opened new fields. A fire devoured Whitney’s Wooster Square
factory on March 11, 1795. The fields readied for harvest. The planters
realized they could produce their own gins. The brilliant simplicity
of Whitney’s gin cost him a fortune. Home-built gins whirred all
over the South. Mills opened in the north. Years pursuing lawsuits
recovered little financial reward.
Whitney would begin again. The problem may have been posed by Thomas
Jefferson: could the young Nation develop a capacity for precision
manufacturing that would free it from dependence on importing? In
the realm of arms for defense this was particularly critical. Jefferson
had seen the work of the brilliant Honore` Blanc who had developed
a system of interchangeable parts in France. Could Whitney be America’s
Blanc, could he plan and lead the first skirmish of the American
Industrial Revolution?
The government took a deliberate risk in accepting Whitney’s proposal
to produce 10,000 muskets. Whitney’s offer was unprecedented and,
in retrospect, unrealistic. The government was underwriting change.
Arms manufacturing had changed little in the 18th century. In a
long apprenticeship, gunsmiths learned to forge, carve and shape
each intricate piece of a musket. European nations were reluctant
to let these craftsmen emigrate.
Facing a shortage of skilled, affordable craftsmen,Whitney built
a plan: one of my primary objects is to form the tools so the tools
themselves shall fashion the work. Create tools to ease the skill
required of workers. Drive tools by water. Organize work so that
a man need master the fashioning of but a few parts. Whitney’s factory
will produce a strategy of working that will shape 19th century
America. It is a change in organization and process that will lead
to vast material changes.
Change & Community
It would take Whitney ten years to fill the contract he had promised
to complete in two. He had reached middle age and had sacrificed
his personal life. He lived for his work.
He constructed a community. The factory village was a new social
structure. He provided housing and food (for which workers were
charged) and some training for children. He needed to attract and
hold talented workers. He worried that others might seduce his workers
- and trade secret - away. He thought occasionally about recruiting
the workers of others. Whitneyville matured into a stable community,
it’s workers loyal to its founder.
A loneliness emerges in his letters to Catherine Green. After his
partner Miller marries her, Whitney refers to himself as a solitary
Old Bachelor. Whitney brings to New Haven, his Young nephews, Philos
and Eli Whitney Blake, and provides for their training and education.
And in 1817, at age 51, he marries the 31-year-old Henrietta Edwards,
a granddaughter of the famed preacher Jonathan Edwards. After their
marriage, he moves from his bachelor quarters to a proper house
near New Haven’s Green.
Whitney had come to New Haven in 1788 a shy farm boy. Thirty years
later he emerged as a leader and architect of its future. His horizons
broadened.He collaborated with James Hillhouse, Daggett and Farnum
to promote banking and development. He supported the nascent Farmington
Canal and the Law School in Litchfield. He encouraged the gifted
architect Ithiel Towne to market a new design for bridge construction.
He participated in founding the Connecticut Academy of Arts and
Sciences...the nation’s oldest continuously active learned society.
He offered guidance to projects for growth and change.
Plagued by the pain of an enlarged prostate, he studied anatomy
with his doctor and devised a catheter to provide partial relief.
He died January 8th 1825. Among his last papers are sketches of
improved tools for making lock parts, his mind focusing not on his
pain, but a prospect for change.
The Right Person
A Natural Mechanic
Whitney was born on December 8th 1765 in Westborough, Massachusetts.
His father was a successful farmer. His mother died when he was
12. A step mother and later stepsisters thought him not terribly
bright in the bookish sense. All who knew him would concede: he
was an artful mechanic. He could take apart and reassemble his father’s
watch. He built a violin of his own design. At 14 he built his own
forge to produce nails driven into short supply by the embargos
of the American Revolution. At Yale as well, he won respect for
his repairs to President Styles newly imported scientific instruments.
He is the classic natural mechanic: more articulate with a jack
knife and hammer than a pen.
A Northerner
Does geography shape thinking? Some attribute to Yankee traditions
a quicker turn to laborsaving tools and to the south a more traditional
dependence on cheap labor both slave and free. Southerners remain
impatient with this and reply that only some one of Whitney’s inexperience
with cotton would have undertaken such a simple minded solution
- with fortunate results. This begrudgingly affirms the power of
his fresh perspective.
A Yale Man
Others can and do claim to have invented devices like Whitney’s.
Whitney won the first patent. The patent law was little more than
a year in place. Yale men were prominent in making and administering
the law. The advantage of his Yale friendships returns after his
lifetime.
The Whitney Legacy
When Eli Whitney established his armory in 1798, we’re certain there
were people with names like Bacon, Mador, Methot, Roche, Zoni, Skalinder,
Pope, Cox, Prestegard, Leventhal, Bryant, Brusik, Maisano, Harding,
Johnston, Amento, Ebinger, Hollander, Tupko, Klevorick, Hickey,
McGann, Carpenter, Walker, Larichiuta, Paley, Chapman, Olson, Waterman,
Rosenthal, Garland, Johnson, Rainville, Smith, Alcossar, Salguero,
Valenzuela, Oster. Murphy, Paupeck, Lisak, McDonough, Caruth, Mayfield,
Warner, Deana, Friedman, Carter, Zuwalick, Cleaver, Cooper, Gordon,
Press, Patterson, Anderson, Crowder, Holquist, Spatz, Esdaile, Whitney,
Eggleston, Tappan, Marley, who did the labor for which he received
credit. We thank their descendants who built this exhibition.
Near the end of his first winter on the site, Whitney lamented that
he had miscalculated the time his contract would require...the
weather, the supplies, the trials and retrials. Inventing Change
is a permanent exhibition that will grow over time as did Whitney’s
Armory.
Technical difficulty puts this draft of the script in your hands
rather than on the walls.
The Factory in 1825
The factory model tells the story of the work Whitney directed here
and significant changes that are discernible in that work. Our sources:
period artwork, Whitney’s probate inventory, records of parallel
armories, and informed guesswork.
The model is constructed in 1/3 scale. Imagine that the men are
6 feet tall. Notice that the building is 72 feet wide. The full
scale Armory would have fit inside of this building twice lengthwise.
You can locate this central building of the Whitney complex on the
Munson painting.
Critical features of Whitney’s work here:
• Water power. Whitney had prophetic confidence in the importance
of power applied to tools both to enhance efficiency and precision.
• Jigs and Fixtures. The most expensive tools listed in the probate
inventory are the fixtures which position and guide drills. Whitney
realized that not only machine tools, but devices adapted to guide
those tools were critical components of precision production.
• The Bell. The factory, a complex integration of many people’s
work, required a new form or organization. The bell is a symbol
of the growing importance of that structure.
• Apprentices. Ten apprentices sleep in the garret. Though Whitney
dreamed of reducing the skill (and therefore the cost) of labor,
he soon realized that he would always need and had to develop skilled
labor. He notes that he makes armorers as well as arms.
• Numbers. In part because the government was his customer, Whitney
developed advanced precision in communicating the cost of doing
business.
• Gauges. Gauges communicate the complex and irregular structures
of gun parts. Constant testing develops uniformity within the Armory
and consistency between private and federal armories.
• The filers. Whitney’s dream of uniform production was not completely
fulfilled. In his armories, and all armories, hand work (particularly
filing) was still essential in 1825.
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